^ Storm Clouds Over Landscape with Trees. 2013. watercolor. 6x9". © Bullock Online 2013
^ Sketchbook page showing storm clouds over a landscape. 08.2012. © Bullock Online 2013
"Every genuine effort in Art is complete. It is the expression of an emotion, and being such is finished."
- Alfred W. Rich, Water-Colour Painting (ch. v), 1918
Continuing to work with a limited, 5-color palette, I am working from past sketches and notes. I have a real fascination with the idea of working representationally from notes and color sketches, and have been trying to get better at figuring it out and creating convincing effects. The attempt is to recreate something which was seen and experienced, and which is now a memory, and to do so faithfully and accurately. Yet painting is, in fact, an interpretation of that memory --- conscious decisions from the start require limiting and abbreviating the thing depicted, or at least bringing it in line with the materials at hand, ironically resulting in, possibly, a more accurate depiction by deleting everything unnecessary and leaving only the important elements remaining. And this is not an argument for total reduction. Far from it. But the history of painting is of exactly these kinds of decisions, I think, and paintings succeed or fail based on these decisions. No less so in the case of landscape painting.
